They thank MEPs who initiated and supported this European Parliament amendment, which follows positive opinions by the Culture Committee (CULT) and the Industry Committee (ITRE). It is a first step in the right direction towards better remuneration for authors when their works are exploited online.
Indeed, the amendment obliges Member States to ensure that authors and performers receive fair and proportionate remuneration from the exploitation of their works, including from their online exploitation. It also recognises that fair and proportionate remuneration of authors and performers cannot be dealt with only in their contracts with producers but may be achieved in each sector through a combination of agreements, including collective bargaining agreements, statutory remuneration mechanisms and collective management agreements.
FERA, FSE and SAA hope that the upcoming trilogue process will confirm this basic provision in favour of audiovisual authors and even go further. They urge the Council, Commission and Parliament to strengthen the audiovisual authors’ right to remuneration in the digital era, as claimed by more than 17,000 signatories of the petition in support of Europe’s screenwriters and directors. This would allow these authors to benefit from the constantly growing on-demand exploitation of their works.
Setting the scene for tomorrow’s European creation also requires stronger protection of European creators’ rights and remuneration.
“We thank the European Parliament for hearing the call of audiovisual authors to protect and promote their right to fair and proportionate remuneration. We now expect the Council, the Commission and the Parliament to take on board this essential principle and further implement it for on-demand exploitation. It is still possible at trilogue stage!” said Cécile Despringre, SAA Executive Director.
“It is 2018 and past time to adapt audiovisual authors’ rights in the digital era. Without fair and proportionate remuneration for the exploitation of their works online, directors will have no means to sustain professional careers and contribute to Europe’s diverse culture.” Pauline Durand-Vialle, FERA Chief Executive.
“Today’s vote of the European Parliament shows the way to tackle authors’ remuneration in the digital environment. We see it as a positive general provision but hope that the three European institutions will further improve the situation of audiovisual authors during the trilogues.” said David Kavanagh, FSE Executive Officer.
Notes to Editors
FERA – Founded in 1980, the Federation of European Film Directors gathers 36 director’s associations as members from 27 countries. It speaks for more than 20,000 European film and TV directors, representing their cultural, creative and economic interests at national and EU level. FERA EU Transparency Register Id No. 29280842236-21. @Film_directors. Press: Pauline Durand- Vialle, email@example.com +32 491 52 49 04.
FSE – The Federation of Screenwriters in Europe is a network of national and regional associations, guilds and unions of writers for the screen in Europe, created in June 2001. It comprises 25 members from 20 countries, representing more than 7,000 writers in Europe. @ScreenwritersEU. Press: David Kavanagh, firstname.lastname@example.org +353 86 837 1203.
SAA – The Society of Audiovisual Authors is the association of European collective management organisations representing audiovisual authors. Its 32 members in 24 countries manage rights for over 138,000 film, television and multimedia European screenwriters and directors. @saabrussels. Press: Annica Ryngbeck, email@example.com +32 475 66 95 94.
20-06-2018 Press release EP report on the Copyright directive